Much of my early grad school work was driven by looking for meaning within urban spaces -- which I often perceived to be stifling and alienating. I learned in grad school to distill my work and I eventually removed the human figure -- which led to my current body of work.
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Late undergrad / Post-undergrad work This was when I was still using a set of figures in a 'container' to tell a story. Of course I have my own story about the meaning of each piece, but I'm comfortable with the viewer bringing their own meaning to the work. Some of the work shows my influence from Cezanne, George Tooker, Henry Koerner, and Fran Panza.